The second of two one-hour documentaries on The Byrds, the continuously groundbreaking band who bridged the gaps between The Beatles, Bob Dylan, Pete Seeger, the Beach Boys, the Los Angeles psychedelic underground and classic country. Each hour is hosted by singer-songwriter Laura Cantrell, and covers a distinct period of their prolific history that can either be aired as one two-part series, or as your choice of two insightful one-hour programs. FARTHER ALONG picks up the story in 1968 and details how the Byrds' legendary Act I was followed by one of rock history's most fascinating second acts. Despite their lower record sales, the Byrds' later incarnations alternately defined and re-defined "country-rock," thanks to the influential contributions by folks like Gram Parsons and guitarist Clarence White. As with the first segment, FARTHER ALONG feature the wide range of music that made The Byrds of the 60s most influential bands, along with comments by its two longest-lasting members: Roger McGuinn and Chris Hillman. Writers David Fricke, Anthony DeCurtis, Lenny Kaye and Byrds historian Sid Griffin are also interviewed. Instead of being directed by the singular vision of one leader, The Byrds were consistently led by everybody's contributions - from their original five members to the musicians involved with their later years. "They all brought something new and something defining," says journalist David Fricke, "and it all became part of the Byrds sound. They didn?t change the Byrds to the degree that it changed the sound. What they did became the Byrds." Broadcast Window: Begins late September 2006, available for all USA radio broadcasters at no cost. 9/30 update: In addition to the 0:59 version posted on the audio page, there is also a 0:54 "news-hole" show in two parts - a 1:00 billboard and the 53:00 program.

Program:

Part 1              14:30

Theme with Variations in E-Flat Major WoO 24, F 3 (Robert Schumann)

(“Geistervariationen”/Ghost Variations)   (1854)

              Theme – Leise, innig

              Variation I

              Variation II – Canonisch

              Variation III – Etwas belebter

              Variation IV

              Variation V     

              Theme (unwritten reprise)

Part 2                43:30        

Sonata in B-Flat Major, D. 960 (1828) (Franz Schubert)

         Molto moderato                                                                                               

         Andante sostenuto

         Scherzo.  Allegro vivace con delicatezza

         Allegro, ma non troppo – Presto

IN 1968, JOHNNY CASH ENTERED CALIFORNIA’S NOTORIOUS FOLSOM PRISON TO PLAY A CONCERT. IT WASN’T HIS FIRST SHOW THERE, OR HIS LAST.  BUT THIS TIME, HE CAPTURED ON TAPE THE RAW ENERGY OF THE PRISONERS AND CAMRADERIE HE FELT WITH THEM. CASH KNEW THAT THERE WERE A LOT OF PEOPLE LIVING IN PRISONS LIKE FOLSOM THAT NEEDED TO BE TREATED LIKE HUMAN BEINGS.  IN TIME, HE BECAME A POWERFUL VOICE FOR PRISON REFORM.

WE’LL HEAR HIGHLIGHTS FROM CASH’S FOLSOM CONCERT AND TALK TO PEOPLE WHO WERE THERE TO SEE IT – FOLSOM PRISON GUARDS AND INMATES, JOURNALISTS WHO COVERED THE EVENT, CASH BIOGRAPHER MICHAEL STREISGUTH AND SPECIAL GUEST, MERLE HAGGARD.

Check out all of Joyride Media's Johnny Cash specials hosted by Rodney Crowell.

The mission of Wind & Rhythm is to build a community of individuals who love wind bands; to grow a wider audience for the music bands play; and to provide a venue for band members and directors to speak about their art.

To accomplish our mission we produce both on-air and on-line programming that invites listeners to reconnect with their roots as members of bands; encourages listeners to participate in community music-making; and provides for listeners an opportunity to hear the best bands in the world.

Folk music and farce, show tunes and satire, madness and escape!

This week’s Beat Latino takes traditional music way, way back and way into the future all at the same time! It’s an hour dedicated to the new aboriginal and indigenous-rooted music from all over the Americas, North and South, and all sung in original languages such as Quechua, Tzotzil and more! Take a wondrous paseo through ancestral music for the 21st Century!